![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/da1cb8dd-7d5e-40b1-9ae1-9084dbbd1fbb_rw_1920.jpg?h=57cd01ae6fcd633007a7a454f065015f)
only the fragile survive, essay in chapbook, commissioned by DCA as part of Saoirse Amira Anis’s solo exhibition symphony for a fraying body.
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/494c2b46-4bcb-4d9c-9f4b-e39631196c84_rw_1920.jpg?h=fc76f30cfb56ca4aefa35e8e7f8bbb72)
Saoirse Amira Anis - For no other reason than joy: commissioned by CAMPLE LINE, 2022
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/8b4fd676-bf7f-48ea-beff-162ab87577d7_rw_1200.jpeg?h=02acea87aa930d8df41c99a2048ec473)
DOUBLE TIME: An hour-by-hour report on Cooper Gallery’s 12hr Sit-in Revel by Jamie Donald and Alison Scott. Collaborative text, MAP, 2022
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/f02cda7b-5ae2-4aa9-8627-de793c83477f_rw_1200.jpeg?h=cc002d82d0600043d09576a8bd2ad02c)
Mutations: a response to Sit-in 2: To Be Potential, part of The Ignorant Art School at Cooper Gallery, MAP magazine, 2022
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/b428acc6-31d1-4543-ada3-9ceaf6c2dcd3_rw_1200.jpg?h=0c634064a05a2b910ef436b1837046c3)
CAST: a response to Sharon Hayes’ ‘Fingernails on a blackboard: Bella’. MAP magazine, 2021
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/d28cb419-c706-4027-97d2-00fb163afcae_rw_3840.jpg?h=d9349671c7afd51c1c00cbee0e3e41b7)
WOOOSH: News from the Centre of the World (writing as Wooosh Gallery). Front Left Scotland, 2021
in focus: Emily Jacir, letter to a friend unpublished, 2021
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/c2b8bd41-fa8f-4c5e-8f6a-f132fdc64f5f_rw_600.jpeg?h=92f7874bd28d64dc82221cce7ba8211c)
notes on here and elsewhere. a response to A is for Avant Garde, Z is for Zero. Cooper Gallery, 2020
![](https://cdn.myportfolio.com/dcee2d32-e678-4ecd-85fd-217f015e27b9/e6b2d540-d40b-4ea8-a511-0500c465f5b2_rw_1200.jpeg?h=6229e3d27afccda9df81cb81e2603033)
please don't stand on the blobs in the sand. on artist run galleries, professionalisation and jellyfish. Creative Dundee, 2020